2 Timothy 3 Rewind – Training in Writeousness

Before we tie a bow on the Timothies, I wanted to revisit one last pair of verses that we haven’t properly examined. I expect most of you will recognize the first of these verses, and you may even have memorized it if you were ever involved in scripture memory programs as a child. It’s one of Paul’s most-quoted lines: “All Scripture is inspired by God and profitable for teaching, for reproof, for correction, for training in righteousness” (2 Timothy 3:16). I memorized it in fourth or fifth grade as part of my church’s after-school program, R.A.D. (Radically Awesome Disciples). It was the 90s.

2 Corinthians 4 – Conversations with Paul and Sara Groves

I was in high school when I first discovered Sara Groves. If I remember correctly, my dad heard her song “The Word” on the radio and ended up buying her Conversations CD as a result. But the bridge of the song is this litany of scriptural truths…and just this morning, as I was reading today’s chapter, it hit me: almost all of her scripture selections are taken from Paul.

Psalm 135 – Every Topic Under (and Over) the Sun

Psalm 135 isn’t exactly a brief history of the universe, but that’s the closest I can think of to a one-sentence summary of it. Going by Brueggemann’s classifications, it’s generally considered a psalm of new orientation, but I personally am inclined to read it as simple orientation. It’s a call to praise founded on conviction that God is good, and the only hint of having passed through disorientation (vv.8-11, recollection of Israel’s struggles against Pharaoh and various pagan kings) is a historical footnote, a distant memory at most. Moreover, it’s equal parts assertion of God’s supremacy, litany of Israelite history, and indictment of idolatry. If it evades encapsulation into a single summary with a single theme, then we can roll with that.

Isaiah 65 – In Which the People of Israel Front a Lot

I can’t read the opening verses of this chapter without thinking of the MC Frontalot track “Indier Than Thou,” which precedes each of its verses with spoken lines quoted from Isaiah 65. “I have spread out My hands all the day unto a rebellious people,” intones a booming voice, “who say, ‘Stand by thyself, come not near to me; for I am holier than thou!’” (2, 5). God is disgusted by his people’s hypocrisy, as they claim holiness as a sign of social status while ignoring both God and his law. In his song, Frontalot humorously casts himself as a religious devotee of “indieness” in the mode of the Israelites, seeking to garner indie cred through a mixture of obscurity and ignominy. As he puts it: “Should I ever garner triple-digit fans, you can tell me then there’s someone I ain’t indier than” ([*]).